Studio 666 combines the rock music of the Foo Fighters with horror. But could the new project reinvigorate a lost horror subgenre?
Part of what makes the horror genre so appealing to many fans is the number of subgenres that flow from it. Some are more iconic, like slashers and ghost stories, while others can be more specialized, like body horror and creature traits. But of all the subgenres, one has been largely forgotten by the cinematic masses known as rock ‘n roll horror. That said, the iconic rock band, the Foo fighters, is perhaps the first film in a long time to break down barriers erected over decades to put the subgenre back in the spotlight.
Foo fighters singer and guitarist Dave Grohl is no stranger to horror or the camera. He appeared as Satan in Tenacious D in the choice of fate and appeared in Bill and Ted face the music and The Muppets. But he’s also spent decades getting to know his band and forming a bond that makes every moment they’re on screen or on stage together electric. During that time, he’s learned a lot about what it takes to build a fun and exciting story, and his love of music lends itself to the group’s new film. Studio 666.
What is Studio 666 about?
Just like the band’s many clips, Studio 666 tells a story that puts the Foo Fighters at the center of situations out of their control. The film follows the group on their journey to record their tenth studio album. But a bit like their seventh album, Wasting light, is recorded on tape, this album is meant to be created in another unique way. Upon moving into a strange mansion in Encino, the group begins to experience strange paranormal phenomena.
As they record, events begin to plunge into the demonic as Dave’s eyes turn black and monsters threaten the group’s safety. Studio 666The trailer features some truly terrifying practical effects and a story that bridges comedy and horror with outrageous visuals and setups for hilarious situational humor. But at the heart of the film is a rock’n’roll horror show that plays on the genre’s edginess and often supernatural tone that some of the genre’s more classic bands have conjured up, like Black sabbath and Killer.
How Studio 666 could remix the Rock-Horror subgenre
Before Studio 666, the rock ‘n roll horror subgenre had a substantial hold on theaters in the 1980s. Some good examples of these include films like Charity please, which brings the spirit of a deceased rockstar to life, or Black roses, which follows a metal band made up of demons who also turn listeners into demons. While the premise is simple, it helped convey the idea that the subgenre often meant the movie would be as gritty as it gets. Today the genre has largely fallen into disuse apart from valiant attempts to bring it back as Green room, which is a survival punk rock story and American Satan, which takes the spirit of the satanic panic of the 80s to new heights.
Studio 666 can totally reinvigorate the genre by evolving it into something new and largely unexplored. It could start by merging the country side of ’80s horror with the devil’s expectations in rock-focused movies. Using the dark humor that permeates the trailer to create a disturbing and entertaining story will help make the film even more accessible to audiences. Plus, with a name like Foo Fighters attached to it, there’s no shortage of fans supporting the great music that will likely accompany Studio 666.
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